AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |
Back to Blog
Volumes one and two were both published in the year of 1665 and dealt mainly in views of the new piazzas, gardens, terraces and their surrounding buildings. ( Sons and nephews of de Rossi, in fact, continued the publishing house until 1738 when the business was sold to Pope Clement XII to form the basis of the Regia Calcografia.)Īltogether, four sets of Nuovo Teatro were created during the seventeenth century. The printing and publishing of these important etchings was entrusted to Giacomo de Rossi (1626-1691), the head of the most dominant Roman publishing house. What it gave to future generations was a magnificent historical record of views etched by two of Italy's greatest architectural artists. The Nuovo Teatro was initiated in 1665 to depict the new Rome in a series of etchings. To be sure, this massive undertaking was meant to underline the absolute power of the Papacy but it also brought forth a new flowering of Italian art and architecture. Within several decades spacious roadways were constructed, monumental buildings arose, and many public squares appeared with elaborate fountains and monuments. Under the brilliant leadership of Pope Alessandro VII (1655-1667), Rome dramatically emerged as one of the most modern and beautiful cities of the new Baroque age. One of the most important architectural projects of the seventeenth century was the urban renovation of Rome. On the right is the famous Fontana dei Quattro Fiumi by Bernini.įrom the first edition " Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, sotto il felice pontificato di N. Beautiful view of the church of Sant’Agnese in Agone by Borromini, in Piazza Navona.
0 Comments
Read More
Leave a Reply. |